Industrial Light & Magic now claims on their website that “Suddenly, directors could imagine making films in which realistic animals, fantasy creatures, even digital people could perform without restraint.” After its success, ILM embraced digital composition technology more fully and integrated it into many later films.Īs it stands, Jurassic Park features about 50 shots of digital-only prehistoric creatures, including the first full-body scene of a dinosaur – the sauropod Brachiosaurus - flocking Gallimumus, and the T. In a critical history of Industrial Light & Magic, Julie Turnock observes that the film “relied on a canny mix of large-scale mechanical effects cut together with a few digitally generated shots”. However, well into the filming schedule, he was convinced to also include wholly digital dinosaurs after viewing test footage produced by staff at special effects house Industrial Light & Magic.
According to industry legend and multiple documentaries, Spielberg had planned to use only practical effects, including stop-motion Velociraptors and an animatronic Tyrannosaurus Rex.
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